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Why Be Happy When You Could Be Normal?

by Jeanette Winterson

“Magnificent . . . A tour de force of literature and love.” —Megan O’Grady, Vogue…

The White Van

by Patrick Hoffman

“Gritty, exhilarating . . . The White Van, with its quick and scary turns, provides a hell of a ride; the action never stops—even after the final page.” —Wall Street…

Thunder Run

by David Zucchino

“Zucchino paints a vivid picture of the battle by stiching together the narratives of soldiers, officers, generals and Iraqis whom he interviewed during and after the war. . . ….

Three Novels

by Samuel Beckett

“More powerful and important than Godot. . . . Mr. Beckett seeks to empty the novel of its usual recognizable objects—plot, situation, characters—and yet keep the reader interested and moved….

Terraplane

by Jack Womack

“Womack . . . performs feats of brilliance on many levels. . . . He succeeds in balancing blistering social commentary with shrewd literary experimentation. . . . Flecked with…

Stevenson Under the Palm Trees

by Alberto Manguel

“A miniature Gothic horror story that Stevenson himself and even Henry James would have found chilling.” –Anna Mundow, The Boston Globe…

Splitting

by Fay Weldon

“Adarkly comic portrait of one woman’s shattering response to divorce: the latest from an author rightly celebrated for writing witty cautionary tales about the contemporary sexual jungle.” –Kirkus Reviews…

South Beach

by Brian Antoni

“South Beach: The Novel, Brian Antoni’s candy-colored and warmhearted second work of fiction, would make a terrific opera . . . Rich with club scenes and descriptions of off-beat forms…

Sewer, Gas & Electric

by Matt Ruff

“Ruff is a protean talent. . . . Very much in the absurdist tradition of Pynchon, Heller, Robbins, and Vonnegut, this is a mad romp through a future that Ruff…

Rushes

by John Rechy

“A major American novelist writing at the peak of his powers.” –Richard Hall, The San Francisco Chronicle Book Review…