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The House of Morgan
by Ron Chernow…and ambition on Wall Street, the book has the movement and tension of an epic novel. It is, quite simply, a tour de force.” —The New York Times Book Review…
a “Working Life”
by Eileen MylesFrom “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange…
Four Blondes
by Candace Bushnell“Bushnell has her milieu down cold, and writes with the peculiarly New York cynicism of a woman who has attended one too many fragrance launches.” –New York Times Book Review…
Shadow-Box
by Antonia Logue“That three such wildly contrasting characters can coexist in the same novel is indicative of the era’s (and the author’s) bracing audacity. . . . Logue does an admirable job.”…
Wilmington’s Lie
by David ZucchinoFrom Pulitzer Prize-winner David Zucchino comes a searing account of the Wilmington riot and coup of 1898, an extraordinary event unknown to most Americans
The Hard Stuff
by David GordonIn the hotly-anticipated sequel to David Gordon’s critically-acclaimed and “brilliantly goofy” (New York Times) The Bouncer, New York City’s most hardened mob bosses team up once again, this time to…
Wanting
by Richard Flanagan…with exquisite precision. . . . An entirely unified meditation on desire, ‘the cost of its denial, the centrality and force of its power in human affairs.’” —The New Yorker…
Much Depends On Dinner
by Margaret Visser“Fascinating . . . Margaret Visser is a gifted informal writer, and these chapters combine a wealth of unusual information with extreme readability. . . . In short, Visser whetted…
I Want to Show You More
by Jamie Quatro…O’Connor . . . Quatro has a poet’s compound eye . . . [and] fearless lyricism. . . . Expansive, joyful, with forgiveness supplanting ruination.” —James Wood, The New Yorker…
Gould’s Book of Fish
by Richard Flanagan“What’s memorable–even extraordinary–about this book are Flanagan’s aphoristic talent, his imagination and his uncanny ability to channel the Rabelaisian voices of the great picaresque writers–Fielding, Sterne, Smollet. . . ….