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True North
by Jim Harrison“Harrison consistently commands our attention for his humanity and his tenderness. That he can create such tension in the process—a tension not released until the last page—and in the end…
The Ticket That Exploded
by William S. Burroughs“In Burroughs’ hands, writing reverts to acts of magic, as though he were making some enormous infernal encyclopedia of all the black impulses and acts that, once made, would shut…
This Boy’s Life
by Tobias Wolff“Wolff writes in language that is lyrical without embellishment, defines his characters with exact strokes and perfectly pitched voices, [and] creates suspense around ordinary events, locating the deep mystery within…
Ten Unknowns
by Jon Robin Baitz“Jon Robin Baitz has a singular talent as a playwright for combining smart and biting social criticism with humor and tenderness.” –Sean Mitchell, The Los Angeles Times…
Ten Little Indians
by Sherman Alexie“In [Alexie’s] warm, revealing, invitingly roundabout stories, the central figures come in all shapes and sizes, sharing only their wry perspective on Indian life off the reservation. . . ….
The Spy’s Son
by Bryan DensonThe captivating true story of the highest-ranking CIA officer ever convicted of espionage, and the devoted son who followed him into the family spy business.
The Soft Machine
by William S. Burroughs“Burroughs voice is hard, derisive, inventive, free, funny, serious, poetic, indelibly American, a voice in which one hears transistor radios and old movies and all the clichés and all the…
So Brave, Young, and Handsome
by Leif Enger“So Brave, Young, and Handsome is a sharp and brainy redemption tale, with all the twists and turns and thrills of a dime-store western. . . . [Enger’s] laid claim…
Second Violin
by John Lawton“Smart and gracefully written . . . It has been Lawton’s achievement to capture, in first-rate popular fiction, the courage and drama—and the widespread tomorrow-we-may-die exuberance—of that terrible and thrilling…
Recital of the Dog
by David Rabe“A gifted prose writer of original vision . . . In both voice and structure, Recital of the Dog owes much both to Albert Camus and James M. Cain. ….