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What It Takes to Get to Vegas

by Yxta Maya Murray

“In What It Takes to Get to Vegas the contrapuntal viewpoints–defiant and self-doubting, calculating and fuzzy-headed–are combined into a single stream of consciousness. Frenetic, bittersweet, and often hilarious, Rita’s voice…

Arkansas

by John Brandon

“John Brandon’s remarkable first novel will blow away a certain readership. . . . Arkansas rants against the machine in a voice combining Raymond Chandler’s side-of-the-mouth noir with Quentin Tarantino’s…

The Book of the Penis

by Maggie Paley

“Spirited, filled with fact and some fancy, emphasizing the penis’s power to drive male behavior but designed to make both women and men more comfortable with the dreaded word–and perhaps…

American Gangster

by Mark Jacobson

“Whether covering the high life or lowlifes, Jacobson boasts a novelistic eye and muscular prose in the tradition of urban chroniclers like Joseph Mitchell, A.J. Liebling, and Pete Hamill. A-”…

Hawthorne in Concord

by Philip McFarland

“McFarland’s book takes the prize for readability. His is an impressionistic account that could only result from sensitivity and empathy for its subject.” —David Locker, Evansville Courier & Press…

Ivory’s Ghosts

by John Frederick Walker

“[A] tour de force examination of the history of ivory, human kind’s lust for this exquisite treasure, and the demise of the elephant and human decency in the process ….

The Lonely Guy and The Slightly Older Guy

by Bruce Jay Friedman

“I love this book!” –Steve Martin…

Sherlock Holmes

by Nick Rennison

“Rennison does a marvelous job of overlaying his own extensive research on clues from Doyle’s tales of Watson and Holmes, deciphering much for this complex, engaging portrait.” —Irene Wanner, The…

The Western Wind

by Samantha Harvey

Hailed as “this generation’s Virginia Woolf” (Telegraph) and “one of the UK’s most exquisite stylists” (Guardian), Samantha Harvey’s breathtaking new novel is a medieval mystery told in reverse over the…

Try

by Dennis Cooper

“Written in Mr. Cooper’s taut, chillingly ironic prose. . . Try is about a world under severe emotional repression–a fascistic world of pure sadistic power. . . . As improbable…