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Walk the Blue Fields

by Claire Keegan

…And to imagine critics, far in the future, deploying lofty new terms to explain what it is that makes Keegan’s fiction work.” —Maud Newton, The New York Times Book Review…

Sightseeing

by Rattawut Lapcharoensap

…everywhere. . . . “Priscilla,” which describes gradations of poverty in the third world, is near-perfect in its lyricism, wistfulness and concision.” –Darin Strauss, The New York Times Book Review…

Saddam Hussein

by Efraim Karsh

…authors have produced a subtle interpretation of Saddam, which casts him as a man forged by his society even as he sought to reforge it.” –Martin Kramer, New York Newsday…

Prosperous Friends

by Christine Schutt

new novel . . . is Portrait of a Lady one hundred and thirty years on, except it’s all incisively new, and it’s Christine Schutt at her finest.” —Michelle Latiolais…

The Best of It

by Kay Ryan

…often built on the logic of the pun, taking an ordinary word or dead cliché as a title and then jolting it to unexpected life.” —Adam Kirsch, The New Yorker…

Escape Velocity

by Mark Dery

…far reaches of today’s computer savvy avant-garde . . . this book is your ideal guide to the cultural complexities of the computer age.” –The New York Times Book Review…

Paying Back Jack

by Christopher G. Moore

“Paying Back Jack might be Moore’s finest novel yet. A gripping tale of human trafficking, mercenaries, missing interrogation videos, international conspiracies, and revenge, all set against the lovely and sordid…

Transforming Leadership

by James MacGregor Burns

…reading them in light of new sociological and psychological research, [Burns’] latest book aims to put “transforming leadership” at the core of Western values.” –Christopher Caldwell, The New York Times…

Turpentine

by Spring Warren

…you feeling as if you can still feel the dust of a buffalo stampede settling around you.” —Jodi Picoult, New York Times-bestselling author of My Sister’s Keeper and Nineteen Minutes…

Paradise

by Elena Castedo

“Filled with rich descriptions and vivid scenes. Ms. Castedo’s language is exuberant.” –The New York Times Book Review…