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A Short History of Myth
by Karen Armstrong“What Armstrong does in her skid over the millennia is make comparisons, connections, and contrasts in a way that cannot fail to enlighten the general reader. What myth once did,…
Second Nature
by Michael Pollan“He’s written a book about gardening that even nongardeners might want to read. . . Pollan can still remember that there are readers of intelligence and curiosity whose gardening habits…
Rosencrantz & Guildenstern Are Dead
by Tom Stoppard“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…
A Question of Mercy
by David Rabe“Beautifully considered, piercingly clear-eyed . . . Mr. Rabe, in a play that reestablishes him as one of America’s preeminent dramatists . . . has written an exquisitely controlled about…
Playing Through the Whistle
by S. L. PriceFrom a Sports Illustrated senior writer, a moving epic of football and industrial America, telling the story of Aliquippa, Pennsylvania, its now-shuttered steel mill, and its legendary high school team….
A Place of Healing for the Soul
by Peter France“France’s conversion is deeply touching. His sense of unworthiness, of nagging doubt, of willingness to plunge ahead regardless, gives to the traditional conversion tale a modern spin. This is religious…
The Piano Teacher
by Elfriede Jelinek“The Piano Teacher is compelling fiction, ensnaring the reader with the intensity of the author’s vision and the bitter irony she uses to present her view of the city. The…
Peace Kills
by P. J. O'Rourke“Peace Kills is war coverage in the great tradition of Catch 22 and M*A*S*H: Wars can be right or wrong, but they are always crazy and frightening in the center…
Painted Horses
by Malcolm BrooksA big, enthralling debut novel of America in its ascendance, of history versus modernity, and a love story of the West, Painted Horses introduces an extraordinary new literary voice….
Not the End of the World
by Christopher Brookmyre“Perpetually in-your-face: sassy, irreverent, and stylish . . . [with] a high-octane sense of the absurd.” —The Times (London)…