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Code Blue
by Mike MageeA powerful and path-breaking expose of America’s Medical Industrial Complex—the network of mutually beneficial relationships between big business, academic medicine, patient advocacy organizations, hospitals, and government—and a compelling way forward…
Code of the Hills
by Chris OffuttIn this blistering return to Chris Offutt’s acclaimed crime series, Mick Hardin is tested like never before as familial allegiances and old wounds collide, threatening to destroy everything he loves
The Weight of Numbers
by Simon Ings“[The Weight of Numbers] blends excellent prose with innumerable characters in an insanely complicated plot, with important global issues sprinkled in, and it all makes sense.” —Robert VerBruggen, The Washington…
Devil in the Stack
by Andrew Smith…author and journalist Andrew Smith, a riveting, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself…
Rosencrantz & Guildenstern Are Dead
by Tom Stoppard“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…
A Free Man of Color
by John Guare“[A Free Man of Color] . . . might be a masterpiece. . . . one of the three or four most stirring new plays I’ve seen.” —Terry Teachout, The…
Things You Get for Free
by Michael McGirr“Things You Get For Free isn’t just an amusing travelogue; it’s also full of the sorts of stories we all can tell about our pasts. It’s so easy to forget…
A Certain Curve of Horn
by John Frederick Walker“Walker writes with insight and compassion. . . . A Certain Curve of Horn deserves to be ranked with Peter Mathiessen’s classic, The Snow Leopard. It underscores the sanctity of…
The English Major
by Jim Harrison“Harrison spins the common chaff of a road trip into gold. . . . peppered with his characteristic insights and asides. . . . After a long and idiosyncratic literary…
The Dressing Station
by Jonathan Kaplan‘refreshingly unsentimental . . . His descriptions of surgery are unflinching. . . . Kaplan gives us a remarkable self-portrait of the war junkie. . . . Though he lets…
