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Code Blue
by Mike MageeA powerful and path-breaking expose of America’s Medical Industrial Complex—the network of mutually beneficial relationships between big business, academic medicine, patient advocacy organizations, hospitals, and government—and a compelling way forward…
Code of the Hills
by Chris OffuttIn this blistering return to Chris Offutt’s acclaimed crime series, Mick Hardin is tested like never before as familial allegiances and old wounds collide, threatening to destroy everything he loves
Devil in the Stack
by Andrew Smith…author and journalist Andrew Smith, a riveting, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself…
A Free Man of Color
by John Guare“[A Free Man of Color] . . . might be a masterpiece. . . . one of the three or four most stirring new plays I’ve seen.” —Terry Teachout, The…
Things You Get for Free
by Michael McGirr“Things You Get For Free isn’t just an amusing travelogue; it’s also full of the sorts of stories we all can tell about our pasts. It’s so easy to forget…
How the Soldier Repairs the Gramophone
by Sasa Stanisic“In Sasa Stanisic’s bittersweet, musical novel about a boy growing up in Bosnia-Herzogovina before and during the war, many things happen that are impossible to understand, startlingly visual, bordering on…
Jon Lee Anderson
…he has written profiles of General Pinochet, Gabriel García Márquez, and Venezuelan president Hugo Chávez, as well as reporting from Angola, Cuba, Panama, Liberia, Iraq, and the Basque country in…
Had a Good Time
by Robert Olen Butler“All of these stories are told in the first person, but Butler rarely settles for impressing us with his range of vocal effects. He favors strong plots and strong twists….
Rosencrantz & Guildenstern Are Dead
by Tom Stoppard“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…
The Adventures of Lucky Pierre
by Robert Coover“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…
