Books

Atlantic Monthly Press
Atlantic Monthly Press
Atlantic Monthly Press
NEW!

Clean Hands

by Patrick Hoffman

From Patrick Hoffman, CWA Ian Fleming Steel Dagger Award finalist and critically acclaimed author of The White Van and Every Man a Menace, comes a breakout thriller about a powerful law firm on the brink of disaster, and the woman charged with making all their problems go away

  • Imprint Atlantic Monthly Press
  • Page Count 288
  • Publication Date June 02, 2020
  • ISBN-13 978-0-8021-2953-6
  • Dimensions 6" x 9"
  • US List Price $26.00
  • Imprint Atlantic Monthly Press
  • Publication Date June 02, 2020
  • ISBN-13 978-0-8021-2954-3
  • US List Price $26.00

Corporate lawyer Elizabeth Carlyle is under a lot of pressure. Her prestigious New York law firm is working on their most high-stakes case in company history, defending a prominent bank that’s been accused of fraud. When Elizabeth gets the news that one of her junior associates has lost his phone—and the secret documents that were on it—she needs help. Badly.

Enter ex-CIA officer Valencia Walker, a high-priced fixer who gets called in when rich corporations, people and governments need their problems solved discretely. But things get complicated when the missing phone is retrieved: somebody has already copied the documents, and now they’re blackmailing the firm. The situation gets murkier still when stories about the documents start appearing in the press and a tragic suicide appears staged, hinting that darker forces may be churning below the surface. With billions of dollars on the line, Elizabeth and Valencia must maneuver and outmaneuver whomever is behind this, and, most importantly, keep their hands clean.

This is a world of private security, private diplomacy, and private justice. A sharply drawn cast of characters—dirty lawyers, black-market traders, Russian criminals, and extra-judicial actors, all take part in this breakneck tour through New York. Authentic, tense, and impossible to put down, Clean Hands gives a vivid look at the connections between corporations, government, and the underworld.

Praise for Patrick Hoffman:

“Criminal fools populate the drug-selling networks from San Francisco to Bangkok to Miami in Patrick Hoffman’s astonishing, violent novel . . . filled with sharply drawn characters . . . A mind-bending, attention-demanding narrative as full of shocks and surprises as an LSD party.”—Wall Street Journal, on Every Man a Menace

Every Man a Menace is everything you could want in a thriller—lightning pace, dead-on dialogue, and a twisting, high-torque plot. But, most of all, this novel is smart and authentic, a welcome jolt at a time when so much fiction reads like it rolled off an assembly line.”—Carl Hiaasen, on Every Man a Menace

“Subtle characterization, tricky narrative switchbacks . . . vivid, moody prose . . . closer to Denis Johnson than to Elmore Leonard.”—Paris Review Daily, on Every Man a Menace

“[Every Man a Menace] is distinguished by its virtuoso set pieces . . . a nasty tour de force . . . Hoffman’s follow-up to The White Van is another strong and original addition to the crime fiction genre.”—Kirkus Reviews (starred review), on Every Man a Menace

“Patrick Hoffman writes vivid and colourful prose, in a style that has Hollywood movie written all over it . . . An exciting read.”—Toronto Star, on Every Man a Menace

“[An] exhilarating crime debut . . . Hoffman gives his story a stunner of a twist, where roles are reversed, lies become truths, and it all gives way to the most perfect hustle of all . . . Hoffman’s crime plot doesn’t just thicken, it boils with surprise after surprise and suspense as tight as a noose . . . He cinematically captures a seamy San Francisco . . . the hard-boiled prose glints like a broken mirror . . . wildly satisfying.”—San Francisco Chronicle, on The White Van

“[A] gritty, exhilarating . . . Everything in his unpredictable fiction has the dissonant clink of alarming truth . . . The White Van, with its quick and scary turns, provides a hell of a ride; the action never stops—even after the final page.”—Wall Street Journal, on The White Van