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The Race for the Triple Crown
by Joe Drape“In crisp, elegant prose, Drape captures his subjects and their sport, taking readers behind the scenes and telling the stories that make the sport of kings endlessly fascinating. The Race…
Editors on Editing
by Gerald Gross“A superb collection of essays–wise, original, and “educational” in the best sense of the word. Every publisher, editor, writer and agent should buy at least one copy and then a…
Grove at Home: December 6-12
…latest, A Cry from the Far Middle, is the perfect gift for your favorite free-thinker. Bringing his trademark (and occasionally cantankerous) wit to bear on the scandals and conundrums of…
Having Everything
by John L'Heureux“A master of understated, ominous moments in a marriage in which not asking a question can be more disastrous than asking it . . . Sharp, moving, poignant.” –The Washington…
Lovers for a Day
by Ivan Klíma“Klíma is simply not read widely enough in the U.S. . . . A master of the significant detail–telling only that which is essential.” –Brad Hooper, Booklist…
Havana World Series
by Jose Latour“An entertaining and suspenseful story. . . . [Latour] has managed to capture the sights, sounds, smells and rhythms of Havana in a way that is as much nostalgic as…
Books to Read During Women in Translation Month
…traditions of society on their head to better question them. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all…
The Middleman and Other Stories
by Bharati Mukherjee“Bharati Mukherjee, in this astonishing second book of short stories, zeroes in on uneasy terrain that no one has looked at with quite so clear an eye since approximately World…
T.H.U.G. L.I.F.E.
by Sanyika Shakur“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…
Cockpit
by Jerzy Kosinski“A dazzling succession of . . . erotic episodes . . . Cockpit defines itself (as Kosinski does his hero) by the suicidal chances it takes . . . brilliantly…
