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Code Blue

by Mike Magee

A powerful and path-breaking expose of America’s Medical Industrial Complex—the network of mutually beneficial relationships between big business, academic medicine, patient advocacy organizations, hospitals, and government—and a compelling way forward…

Code of the Hills

by Chris Offutt

In this blistering return to Chris Offutt’s acclaimed crime series, Mick Hardin is tested like never before as familial allegiances and old wounds collide, threatening to destroy everything he loves

Havana World Series

by Jose Latour

“An entertaining and suspenseful story. . . . [Latour] has managed to capture the sights, sounds, smells and rhythms of Havana in a way that is as much nostalgic as…

Devil in the Stack

by Andrew Smith

…author and journalist Andrew Smith, a riveting, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself…

Rez Life

by David Treuer

A celebrated Native American novelist’s intimate, insider exploration of the history of Indian reservations and contemporary life on the rez….

Yonder Stands Your Orphan

by Barry Hannah

“A literary event . . . A new voice of the South whose characters roamed as far as Asia and who were citizens of modern anxiety. . . . A…

Hitting the Jackpot

by Brett D. Fromson

‘deftly documented. . . . [Fromson] knows something about digging into the roots of a good story. . . . [Hitting the Jackpot] is a story that leaves you shaking…

About Face

by Donna Leon

“Leon . . . is so generous with the humanizing details that make this series special. There are long walks in Brunetti’s warm company and lively talks with his clever…

Tokyo Doesn’t Love Us Anymore

by Ray Loriga

“Loriga’s gorgeous, enigmatic new novel . . . could be described in terms of its premise . . . but such a description cheats the prospective reader, because the true…

The Inheritance of Loss

by Kiran Desai

“Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.” –The New Yorker…