“In Lloyd Bradley’s long-awaited history, the ghettos and the ganja are explored alongside independence and international relations to produce a definitive account. . . . [An] informed analysis and intoxicating aural history.”—GQ (London)

“A brilliant, comprehensive history of Jamaica’s principal twentieth-century art form . . . Bradley deftly intertwines the key themes of the Caribbean island’s chaotic music industry and its checkered social history. Essential.”—Q Magazine (London)

‘should you want to know how Island Records found and champion of reggae Chris Blackwell arrived at ghetto music via being stranded on a reef and passing out before Rasta fishermen rescued him; why Peter Tosh always referred to Blackwell as Whiteworst; why Bob Marley was shot in the name of politics; or why the experimental producer and errant genius Lee ‘scratch” Perry was found walking backwards, striking the ground with a hammer after burning his studio down as reggae disintegrated into computer-led, bass-free rhythms; Bradley nails them all. For anyone who has ever shaken a stick at a skank.”—The Herald (Glasgow)

“There are as many versions of Jamaica’s music history as there are remixes of this month’s hot tune; reggae books have tended either to perpetuate the old myths or get it completely wrong. But Bradley has untangled the tall stories and written a compelling social and musical history . . . filled to the brim with anecdotes to keep the most hardened music-head happy.”—The Face (London)

“The most thorough attempt yet to tell [reggae’s] who story. Although the author, the British music journalist Lloyd Bradley, wasn’t around to witness at first hand most of the developments he describes, he has spent six years talking at length to many of the people who made them happen—and his whole life, by the sound of it, loving every last detail of the music and memorizing its gloriously rich and expressive slang. . . . He is as attentive to the island’s shifting social and political scene as he is to the gradual evolution of the music.”—The Sunday Times (London)

“An in-depth and comprehensive study of reggae and its origins . . . that will appeal to the casual reader as well as to aficionados. From the pioneering sound systems of the 1950s through to the ‘digital present” via ska and dub, Bradley’s reverential awe of the music, and of its practitioners, is apparent. . . . This is a book many musicians would benefit from reading. . . . The technological and production aspects of Jamaican music, with its history of tireless innovation, are also discussed in depth and at length in the book, with the debt owed by other genres of music well acknowledged. . . . Dizzying in its scope, yet at the same time meticulous in its attention to detail.”—The Independent on Sunday (London)

“[This Is Reggae Music] attempts—and succeeds—to chart the history of reggae; Jah, guns, politics an” all. With rare suss, a sharp critical acuity and an informed sense of where the music came from and where it’s going to, this welcome study is as positive as it is lively, and as refreshing as it is definitive.”—Time Out (London)

‘lloyd Bradley’s meticulous book traces not only the growth of an art form, but also explores Jamaica’s struggle to define its own culture. Bradley’s anecdotal stories are excellent, and his love of the music and the culture that inspired it is evident at every turn.”—The Latest (UK)

“Every contemporary music form owes reggae money, or at least a debt of influence. Lloyd Bradley plots the course of the sounds that have pulsed from the island; in the days when Jamaican performers copies the look and sound of US R&B artists, up to modern dancehall, taking in roots, dub and rocksteady along the way. Bradley illustrates superbly how the music of the dispossessed, the ‘sufferers,” became a global force, and how Jamaica forged its identity through drums and bass. Crucial.”—The Big Issue (London)