“A pair of lean, lambent novellas . . . The first . . . reads like a new-fashioned ghost story, tingling the spine while offering shimmering, stop-time glimpses into a strange, seductive world straddling dream like and reality.” –Lisa Shea, Elle
“Banana Yoshimoto is doing her part to keep the novella tradition alive. . . . Exciting . . . Despite the somber nature of the subject matter, these are not depressing stories; Yoshimoto manages to find hope amid her characters’ sadness. Taken together, these two novellas form a sparkling book.” –Andrew Ervin, Washington Post
“Ghostly visitations cause the novellas to linger on the mental palate, an effect made all the more striking by the fact that Yoshimoto is not an especially complex stylist. Michael Emmerich has transformed her Japanese into a noirlike English composed of short sentences and broad brush strokes. . . . In Yoshimoto’s world, regret becomes a fugue state with its own circadian rhythms. It casts such a nightmarish spell that Grove should sell it with a pocket packet of Valium.” –John Freeman, Time Out New York
“Seemingly complicated choices are made easy by going with what feels right and organic. That’s how her characters interact with each other, in an urban but fresh world where life and death are handled with simple and earthy grace.” –Shazna Nessa, Associated Press
“Gentle . . . mesmerizing . . . gemlike . . . Yoshimoto takes a subtle, graceful look at the relationship between the sisters and the fault lines in this grieving family, elevating her little book from fine to downright moving.” –Publishers Weekly
“Spare, piercing fiction . . . Yoshimoto is tenderly ironic and keenly attuned to nature’s beauty and the mystic dimension of life, and her characters’ ability to tough their way through painful predicaments infuses her elegantly insightful stories with hope. . . . Yoshimoto writes of profoundly complex matters of love, life, decorum, guilt, and death with the precision and grace of a traditional calligrapher.” –Donna Seaman, Booklist
“Fans will recognize the author’s trademark blend of traditional Japanese philosophical concerns and plain contemporary prose in both stories, and her descriptions of the natural world are as lovely as ever. . . . Yoshimoto makes every word count. . . . Warmed by the simple expressions of human emotion that make this author’s work special.” –Kirkus Reviews