Books

Grove Press
Grove Press
Grove Press

My Life in the Bush of Ghosts

by Amos Tutuola Introduction by Kaveh Akbar

Amos Tutuola’s second novel recounting the fate of mortals who stray into the world of ghosts, now available in a standalone volume

  • Imprint Grove Paperback
  • Page Count 208
  • Publication Date June 17, 2025
  • ISBN-13 978-0-8021-6400-1
  • Dimensions 5.5" x 8.25"
  • US List Price $17.00
  • Imprint Grove Paperback
  • Publication Date June 17, 2025
  • ISBN-13 978-0-8021-6422-3
  • US List Price $17.00

First published in 1954, now acclaimed as a modern classic, and named one of TIME’s “100 Best Fantasy Books of All Time,” My Life in the Bush of Ghosts is the second novel by the Nigerian writer Amos Tutuola. A small boy finds himself lost in the heart of an impenetrable African forest, populated with fantastical beings and ghosts. As every hunter and traveler knows, it is almost impossible to leave the bush—yet the appearance of the television-handed ghostess may offer him a rare opportunity for escape. My Life in the Bush of Ghosts is a masterpiece of the surreal that blends Tutuola’s native Yoruba culture with the encroaching influences of British and Christian colonialism in West Africa, a picaresque and darkly funny journey that is unique in literature.

Praise for My Life in the Bush of Ghosts:

“[Tutuola] has the immediate intuition of a creative artist working by spell and incantation.”—V.S. Pritchett, New Statesman

“A fantastic and evocative trip.”The Saturday Review

“A striking work of syncretism, recontextualizing previously unrecorded west African mythology by imbuing it with symbols of what was at the time a new global modernity.”—Elijah Wolfson, TIME, “The 100 Best Fantasy Books of All Time”

“Who wouldn’t want to get enveloped in a fog of magical delight? Tutuola’s second novel is what Alice in Wonderland could have been if Lewis Carroll had imagined a world haunted by outrageous beasts and ghouls.”—Ainehi Edoro, The Guardian

“Tutuola’s writing remains strange, funny and remarkably original.”—Sam Sacks, Wall Street Journal