About The Book
Nadja, originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book that defined that movement’s attitude toward everyday life.
The principal narrative is an account of the author’s relationship with a girl in Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs that form an integral part of the work — pictures of various “surreal” people, places, and objects which the author visits or is haunted by in Nadja’s presence and which inspire him to meditate on their reality or lack of it.
The Nadja of the book is a girl, but, like Bertrand Russell’s definition of electricity as “not so much a thing as a way things happen,” Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, a kind of vision, and the reader sometimes wonders whether she exists at all. Yet it is Nadja who gives form and structure to the novel. “Nadja is so wonderfully free from all regard for appearance that she scorns reason and law alike,” is the way Simone de Beauvoir describes her.