Books

Grove Press
Grove Press
Grove Press
NEW!

Things I Have Withheld

by Kei Miller

Acclaimed Forward Prize winner, novelist, and poet, Kei Miller’s linked collection of essays blends memoir and literary commentary to explore the silences that exist in our conversations about race, sex, and gender

  • Imprint Grove Hardcover
  • Page Count 224
  • Publication Date September 14, 2021
  • ISBN-13 978-0-8021-5895-6
  • Dimensions 5.5" x 8.25"
  • US List Price $26.00
  • Imprint Grove Hardcover
  • Publication Date September 14, 2021
  • ISBN-13 978-0-8021-5896-3
  • US List Price $26.00

In a deeply moving, critical and lyrical collection of interconnected essays, award-winning writer Kei Miller explores the silences in which so many important things are kept. Miller examines the experience of discrimination through this silence and what it means to breach it — “to risk words, to risk truth; and through the body and the histories those bodies inherit ” the crimes that haunt them, and how the meanings of our bodies can shift as we move through the world, variously assuming privilege or victimhood.

Through letters to James Baldwin, encounters with Soca, Carnival, family secrets, love affairs, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice from a black, male, queer perspective. An almost disarmingly personal collection, Kei dissects his experiences in Jamaica and Britain, working as an artist and intellectual, making friends and lovers, discovering the possibilities of music and dance, literary criticism, culture, and storytelling.

With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of innovation and beauty which challenges us to interrogate what seems unsayable and why, “our actions, defense mechanisms, imaginations and interactions” and those of the world around us.

Praise for Kei Miller:

“An expansive talent.”—New Yorker

“Miller’s writing has a cool immediacy [that] gives more than a nod to García Márquez.”—Guardian

“[His work] seduces and shocks you even as it wrestles with the very nature of storytelling itself.”—Marlon James

“Kei Miller’s considerable skills show vividly in his control of this back-and-forth narration . . . He is equally adept at characterization.”—Washington Times 

Praise for Augustown:

“Brilliant and moving . . . Each observant sentence in this gorgeous book is a gem.”—New York Times Book Review 

“A vivid modern fable . . . Richly nuanced and empathetic.”—Guardian 

“A deceptive spellbinder, a metafiction so disguised as old-time storytelling that you can almost hear the crackle of home fires as it starts. But then it gets you with twists and turns, it seduces and shocks you even as it wrestles with the very nature of storytelling itself. It’s the story of women haunted by women, and of the dangers of both keeping secrets and saying too much.”—Marlon James

“The richness and heft that is lost in the making of official accounts of the world is one of Miller’s favorite themes . . . Where the poet’s touch in Augustown becomes detectable is in the novel’s epigrammatic concision and in the loping, conversational cadence of so many of its sentences . . . The barely perceptible Caribbean lilt in Miller’s prose exerts a hypnotic effect that is one of the great pleasures of Augustown.”—New Yorker 

“The structure of Augustown is pleasingly loose — a regular feature of novels written by poets, who seem to enjoy sauntering about once they’ve escaped the house of poetry . . . Miller’s poetry provides memorable line after line . . . If anything maps the way to Zion, Miller suggests, it’s this continued witness to untold history, this attention to how the glimmer of the future might be seen in the past.”—Boston Globe 

“A deeply interesting historical novel, not least because it covers matters little-known beyond Jamaica . . . . Kaia is a lovely portrait of a little boy, and Ma Taffy is only the most important and lively of the people who seem to jump from his pages. Not least of the means used to power them is their Jamaican speech, sparkling with adjective and metaphor, inventive in syntax, studded with old words from England and Africa. Readers can almost see Kei Miller having fun writing this dialogue. Indeed, Augustown feels like a novel that its author enjoyed writing. It’s certainly a serious pleasure to read.”—Washington Times 

“Miller’s novel exhales the breathy immediacy of the here and now . . . Augustown offers a compelling variation on the theme that black lives matter . . . it demands [to] be heard.”—Minneapolis Star Tribune 

Augustown is a gorgeously plotted, sharply convincing, achingly urgent novel deserving widespread attention.”—Booklist (starred review) 

“Miller captures the ways community, faith, and class create a variety of cultural microclimates.”—Kirkus (starred review)

“A rueful portrait of the enduring struggle between those who reject an impoverished life . . . and the forces that hold them in check . . . Miller infuses his lyrical descriptions of the island’s present with the weight of its history.”—Publishers Weekly (starred review)

“Miller’s new novel uses assured poetic language to create important historical intersections and strong, realistic characters . . . Highly recommended, and not just for lvoers of African and Caribbean folklore. This book will appeal to a wide range of readers interested in fiction that’s grounded in community.”—Library Journal (starred review)

“Set in the backlands of Jamaica, this is a magical and haunting novel of one woman”s struggle to rise above the constraints of history, race, class, collective memory, violence, and myth. Miller’s storytelling is moving, poetic, and inventive.”—Lisa Lucas, Page Turners for 2017, Martha Stewart Magazine 

“The language is as clear as spring water, the characters are vividly drawn.”—The Observer 

“Miller’s storytelling is superb, its power coming from the seamless melding of the magical and the everyday that gives his novel a significant fabular quality.”—The Sunday Times (London)