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Witches on the Road Tonight
by Sheri Holman“Holman is a master of the miniature. She uses tiny, achingly accurate details to bring each moment to life on the page; her sentences sing. . . . This richly…
Grove at Home: July 26—August 1
…cover. https://www.youtube.com/watch?time_continue=3&v=AYbYLL7lLbM&feature=emb_logo Viet Thanh Nguyen and Pankaj Mishra on free speech Last week in the Guardian, the brilliant Viet Thanh Nguyen and the brilliant Mankaj Mishra sat down for…
Rock Concert
by Marc MyersA lively, entertaining, wide-ranging oral history of the golden age of the rock concert based on over ninety interviews with musicians, promoters, stagehands, and others who contributed to the huge…
Is There Still Sex in the City?
by Candace BushnellFrom the pioneering, New York Times bestselling author who brought us Sex and the City comes a wry, witty, and wise look at sex, dating and friendship in New York…
The Woman Lit by Fireflies
by Jim Harrison“Harrison is unfailingly entertaining but he is much more—a haunting, gifted writer . . . a consummate storyteller—truly one of those writers whose books are hard to put down.” —Los…
What Are You Like?
by Anne Enright“An eloquent writer . . . dazzlingly funny. . . . For Enright the recognizable dimensions of time, speech, and thought . . . are fluid and interchangeable, while metaphors…
Walking to Hollywood
by Will Self“Self’s ultimate vision . . . is described in dazzling bursts of verbal pyrotechnics. . . . The language here is as rich as Vladimir Nabokov’s, the rage as deep…
Under Radar
by Michael Tolkin“Ambitious . . . . Tolkin is taking on the shades of literature’s foremost anatomists of ambiguously motivated murder: Dostoyevsky in Crime and Punishment and Camus in The Stranger ….
Turpentine
by Spring Warren“With a pitch-perfect narrator and a smorgasbord of sensory detail, Spring Warren brings the Old West back to life. Turpentine casts the rebirth of a privileged young man finding self-truth…
Turn of Mind
by Alice LaPlante“[Like] Anna Quindlen’s Every Last One—a dread-filled, unputdownable page-turner . . . Skillfully written in the memory-loss first person, the book combines murder mystery with family drama, bringing new meaning…
