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Four Blondes

by Candace Bushnell

“Bushnell has her milieu down cold, and writes with the peculiarly New York cynicism of a woman who has attended one too many fragrance launches.” –New York Times Book Review…

Other Desert Cities

by Jon Robin Baitz

…enjoyable new play for grown-ups that New York has known in many seasons. . . . leaves you feeling both moved and gratifyingly sated.” —Ben Brantley, The New York Times…

a “Working Life”

by Eileen Myles

From “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange…

Once Is Not Enough

by Jacqueline Susann

“[Susann’s] pulp poetry resonates to this day. With her formula of sex, drugs and show business, Susann didn’t so much capture the tenor of her times as she did predict…

Michael Wolfe

…for an hour and showing him a new poem, if I had one. Rather than major in the literature of my own language, I studied Greek and Latin, French and…

The Hard Stuff

by David Gordon

In the hotly-anticipated sequel to David Gordon’s critically-acclaimed and “brilliantly goofy” (New York Times) The Bouncer, New York City’s most hardened mob bosses team up once again, this time to…

Michelle Dean

…editor at the New Republic, she has written for the New Yorker, Nation, New York Times Magazine, Slate, New York Magazine, Elle, Harper’s, and BuzzFeed. She lives in Los Angeles….

Wanting

by Richard Flanagan

…with exquisite precision. . . . An entirely unified meditation on desire, ‘the cost of its denial, the centrality and force of its power in human affairs.’” —The New Yorker…

I Want to Show You More

by Jamie Quatro

…O’Connor . . . Quatro has a poet’s compound eye . . . [and] fearless lyricism. . . . Expansive, joyful, with forgiveness supplanting ruination.” —James Wood, The New Yorker…

Gould’s Book of Fish

by Richard Flanagan

“What’s memorable–even extraordinary–about this book are Flanagan’s aphoristic talent, his imagination and his uncanny ability to channel the Rabelaisian voices of the great picaresque writers–Fielding, Sterne, Smollet. . . ….