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David Shih

David Shih is a professor at the University of Wisconsin-Eau Claire. His writing on race has appeared in the New York Times, NPR’s Code Switch, Electric Literature, and Inside Higher…

The Race for the Triple Crown

by Joe Drape

“In crisp, elegant prose, Drape captures his subjects and their sport, taking readers behind the scenes and telling the stories that make the sport of kings endlessly fascinating. The Race…

Editors on Editing

by Gerald Gross

“A superb collection of essays–wise, original, and “educational” in the best sense of the word. Every publisher, editor, writer and agent should buy at least one copy and then a…

Grove at Home: December 6-12

…latest, A Cry from the Far Middle, is the perfect gift for your favorite free-thinker. Bringing his trademark (and occasionally cantankerous) wit to bear on the scandals and conundrums of…

Having Everything

by John L'Heureux

“A master of understated, ominous moments in a marriage in which not asking a question can be more disastrous than asking it . . . Sharp, moving, poignant.” –The Washington…

Lovers for a Day

by Ivan Klíma

“Klíma is simply not read widely enough in the U.S. . . . A master of the significant detail–telling only that which is essential.” –Brad Hooper, Booklist…

Havana World Series

by Jose Latour

“An entertaining and suspenseful story. . . . [Latour] has managed to capture the sights, sounds, smells and rhythms of Havana in a way that is as much nostalgic as…

Second Violin

by John Lawton

“Smart and gracefully written . . . It has been Lawton’s achievement to capture, in first-rate popular fiction, the courage and drama—and the widespread tomorrow-we-may-die exuberance—of that terrible and thrilling…

T.H.U.G. L.I.F.E.

by Sanyika Shakur

“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…

Cockpit

by Jerzy Kosinski

“A dazzling succession of . . . erotic episodes . . . Cockpit defines itself (as Kosinski does his hero) by the suicidal chances it takes . . . brilliantly…