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The Dressing Station
by Jonathan Kaplan‘refreshingly unsentimental . . . His descriptions of surgery are unflinching. . . . Kaplan gives us a remarkable self-portrait of the war junkie. . . . Though he lets…
The Devil That Danced on the Water
by Aminatta Forna“Powerful. . . . At once impassioned, lucid, and understandably enraged, The Devil That Danced on the Water illuminates the troubled, tragic history of a country and a continent.” —O,…
T.H.U.G. L.I.F.E.
by Sanyika Shakur“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…
The Adventures of Lucky Pierre
by Robert Coover“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…
The Player
by Michael Tolkin“One of the most wounding and satirical of all Hollywood expos’s: dark and mordant . . . savage. . . . A portrait of life among the high-rollers and deal…
The Beholder’s Eye
by Walt Harrington“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…
Goodnight, Nobody
by Michael Knight“Arresting. Stylistically, Knight slaloms through old-fashioned noir and snarky postmodernism, and from Barthelmean set pieces to a riff on Stonewall Jackson that evokes one of Barry Hannah’s Civil War fever…
Seven Mile Beach
by Tom Gilling“Unusual, fast, light, short, suspenseful, meaningful, and filled with an immigrant’s pointed observations about identity and the possibility of changing it. . . . [With an] appealing stench of paranoia…
Matterhorn
by Karl MarlantesA big, powerful saga of men in combat, written over the course of thirty-five years by a highly decorated Vietnam veteran.