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Thirteen Stories and Thirteen Epitaphs
by William T. Vollmann“And certainly no one writing today of any generation has more news to relate than Vollmann, a rough-edged beast who has been slouching toward some millennial Bethlehem with a monstrous…
Once Is Not Enough
by Jacqueline Susann“[Susann’s] pulp poetry resonates to this day. With her formula of sex, drugs and show business, Susann didn’t so much capture the tenor of her times as she did predict…
How to Fix the Future
by Andrew KeenAs our world continues to be fundamentally changed by the Digital Revolution, this essential book by a leading Internet commentator shows how to preserve the fundamentals of humanity and civilized…
A Girl Made of Dust
by Nathalie Abi-Ezzi“Abi-Ezzi walks the delicate tightrope between man’s inhumanity and the power and strength family members must draw upon in order to survive. . . . In turn hopeful and despairing…
Rosencrantz & Guildenstern Are Dead
by Tom Stoppard“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…
Road Work
by Mark Bowden“[Bowden] excels at sharply drawn, painstakingly reported stories about losers, oddballs and con men. . . . Fashioning prose that reads like good fiction, with the bonus that his stories…
Whore
by Nelly Arcan“A rhapsody of self-deprecation with notes of anger, defiance, and pragmatism mixed in . . . This is a provocative and mesmerizing story.” –Lisa Nussbaum, Library Journal…
Ten Little Indians
by Sherman Alexie“In [Alexie’s] warm, revealing, invitingly roundabout stories, the central figures come in all shapes and sizes, sharing only their wry perspective on Indian life off the reservation. . . ….
The Last Crossing
by Guy Vanderhaeghe“[Vanderhaeghe is] a Dickensian sensationalist. His flair for the lurid can be exquisite. . . . Epic novels can be loose, baggy monsters, but this one is stuffed with enough…
Let’s Put the Future Behind Us
by Jack Womack“Remarkable . . . Mr. Womack has enmeshed his character in a Moscow landscape as absurd and scary as the phantasmagoric Moscow in Mikhail Bulgakov’s The Master and Margarita. ….
