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Hullabaloo in the Guava Orchard
by Kiran Desai“A finely tuned fable that attests to the author’s pitch-perfect ear. . . . The author delineates [the characters] with such with and bemused affection that they insinuate themselves insidiously…
How the Soldier Repairs the Gramophone
by Sasa Stanisic“In Sasa Stanisic’s bittersweet, musical novel about a boy growing up in Bosnia-Herzogovina before and during the war, many things happen that are impossible to understand, startlingly visual, bordering on…
How the Light Gets In
by M.J. HylandA remarkable U.S. debut that is “a brilliant capturing of the intensity of a child on the frightening brink of adulthood that simultaneously incorporates bleak humor and deep emotion.” –Sunday…
An Honorable Profession
by John L'Heureux“An Honorable Profession is a novel about survival both personal and professional, not merely that but survival with dignity and self-respect. It is itself an honorable novel.” –Jonathan Yardley, The…
Hitting the Jackpot
by Brett D. Fromson‘deftly documented. . . . [Fromson] knows something about digging into the roots of a good story. . . . [Hitting the Jackpot] is a story that leaves you shaking…
Heavenly Date and Other Flirtations
by Alexander McCall Smith‘smith’s stories nimbly examine the mysteries of dating in this captivating collection . . . with their light humor and touching moments.” –Publishers Weekly…
Hawthorne in Concord
by Philip McFarland“McFarland’s book takes the prize for readability. His is an impressionistic account that could only result from sensitivity and empathy for its subject.” —David Locker, Evansville Courier & Press…
Harlem
by Jonathan Gill“[A] panoramic history . . . Gill blends high-density research, political and cultural sophistication, and narrative drive to produce an epic worthy of its fabled subject.” —Edward Kosner, The Wall…
Guests of the Ayatollah
by Mark Bowden“Heart-stopping, and heart-breaking.” —James Traub, New York Times Book Review…
Goodnight, Nobody
by Michael Knight“Arresting. Stylistically, Knight slaloms through old-fashioned noir and snarky postmodernism, and from Barthelmean set pieces to a riff on Stonewall Jackson that evokes one of Barry Hannah’s Civil War fever…
