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The Forgers

by Bradford Morrow

When a suspected forger is brutally murdered, his sister’s lover—himself a notorious counterfeiter of the handwriting of literary greats—is caught in a web of truth and lies that puts his…

The Devil That Danced on the Water

by Aminatta Forna

“Powerful. . . . At once impassioned, lucid, and understandably enraged, The Devil That Danced on the Water illuminates the troubled, tragic history of a country and a continent.” —O,…

Twelve

by Nick McDonell

“Nick McDonell’s Twelve is an astonishing rush of a first novel, all heat and ice and inexorable narrative drive—the kind of novel you finish and immediately read again, just to…

Grove at Home: December 6-12

…frost-swept expanse of eastern Russia that covers about an eleventh of the earth’s surface — is dotted with pianos. All kinds of pianos, in various states of repair and disrepair….

A Certain Curve of Horn

by John Frederick Walker

“Walker writes with insight and compassion. . . . A Certain Curve of Horn deserves to be ranked with Peter Mathiessen’s classic, The Snow Leopard. It underscores the sanctity of…

The Beholder’s Eye

by Walt Harrington

“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…

Love for Sale

by Nils Johan Ringdal

“Contains enough scholarly detail to allow one to employ the “I read Playboy for the articles’ defense.” –Jared Paul Stern, New York Post…

On the Missionary Trail

by Tom Hiney

“On the Missionary Trail . . . illuminate[s] the struggles of the nineteenth-century men and women who risked–and often lost–their lives to bring Christianity and civilization to the remotest corners…

Then We Take Berlin

by John Lawton

“A wonderfully written and generally wise book that will thrill readers with an interest in WWII and the early Cold War era.” —Publishers Weekly (starred review)…

India

by John Keay

“Keay’s panoramic vision and multidisciplinary approach serves the function of all great historical writing. It illuminates the present.” —Thrity Umrigar, The Boston Globe…