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The House of Morgan

by Ron Chernow

“As a portrait of finance, politics, and the world of avarice and ambition on Wall Street, the book has the movement and tension of an epic novel. It is, quite…

Far from Heaven, Safe, and Superstar

by Todd Haynes

“Writer-director Todd Haynes makes you drunk on movies again. Talk about movie heaven–this is it. No film this year cuts a straighter path to the heart.” –Pete Travers, Rolling Stone…

The English Teacher

by Lily King

“Beautifully written and carefully observed . . . King is a wildly talented writer.” —Claire Dederer, Chicago Tribune…

The Convalescent

by Jessica Anthony

“Jessica Anthony has given a voice—wry, sad, and arresting—to the wounded little homunculus that lives, largely ignored, in all of us, a creature that wrestles with a guilt and grief…

Cereus Blooms at Night

by Shani Mootoo

“Shani Mootoo digs deep into the heart of classic storytelling, expanding, sculpting, and molding what is expected into a completely fresh approach to narrative. Her language and characters seduce us…

The Boyfriend

by Thomas Perry

“There are probably only half a dozen suspense writers now alive who can be depended upon to deliver high-voltage shocks, vivid, sympathetic characters, and compelling narratives each time they publish….

Blood Safari

by Deon Meyer

“Set mainly in the game preserves of South Africa, Meyer’s stellar stand-alone thriller delivers muscular prose with a hero to match. . . . Lemmer is a true original. ….

The Hyphenated American

by Chay Yew

“[A] memorable volume of collected plays by one of the most hard-working, prolific, talented, tenacious–not to mention incredibly charming–playwrights of our generation.” –Asian Week…

Lord of the Barnyard

by Tristan Egolf

“Lord of the Barnyard is an arctic blast of fresh air and a far cry from the formulaic writing so prevelant in much contemporary fiction . . . [a] memorable,…

Let’s Put the Future Behind Us

by Jack Womack

“Remarkable . . . Mr. Womack has enmeshed his character in a Moscow landscape as absurd and scary as the phantasmagoric Moscow in Mikhail Bulgakov’s The Master and Margarita. ….