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Citizen Tom Paine
by Howard Fast“Howard Fast has taken a figure out of American history and by the intensity of his emotional sympathy and intellectual response has made him into a living man . ….
Brown Dog
by Jim Harrison“Brown Dog is . . . vividly, evocatively alive. . . . These novellas read like a nuanced conversation between author and character. . . . Masterful.” —David Ulin, Los…
Manson in His Own Words
by Nuel Emmons“A glimpse of part of the American experience that is rarely described from the inside . . . It compels both interest and horror.” –The Washington Post…
Dashiell Hammett
Dashiell Hammett (1894–1961) was an American author of hard-boiled detective novels and short stories, a screenplay writer, and a political activist. The enduring characters he created include Sam Spade (The…
Terrence McNally
…of TV scripts, including Andre’s Mother, for which he won a Primetime Emmy Award. He received two Guggenheim Fellowships, a Rockefeller Grant, and a citation from the American Academy of…
The Black Cabinet
by Jill WattsA magnificently researched, dramatically told work of narrative nonfiction about the history, evolution, impact, and ultimate demise of what was known in the 1930s and 1940s as President Franklin Delano…
What It Takes to Get to Vegas
by Yxta Maya Murray…is at once specifically American in its rhythms and syntax, and indisputably female. . . . Rita Zapata is who Holden Caufield would want to be if he were alive…
The Yellow House
by Sarah M. BroomA brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East.
The Steal
by Mark Bowden and Matthew Teague“A gripping ground-level narrative…a marvel of reporting.”—Washington Post “A lean, fast-paced and important account of the chaotic final weeks.”—New York Times In The Steal, veteran journalists Mark Bowden and Matthew…
Uncle Vanya
by Anton Chekhov“An act of deconstruction designed to exhume the living energies of Chekhov’s writing from under the heavy weight of ‘masterpiece topsoil.’” –Robert Brustein, American Repertory Theatre…
