fbpx

Search Results for: United Airlines 800-299-7264 Reservations Phone Number

1959

by Thulani Davis

“Willie Tarrant recalls both Scout in Harper Lee’s To Kill a Mockingbird and Nel in Toni Morrison’s Sula. . . . A captivating heroine. . . . 1959 is not…

Random Acts of Senseless Violence

by Jack Womack

“Fascinating and well written . . . wonderfully inventive. . . . Mr. Womack’s New York has a constant punk-rocker violence, which unwinds with a deadpan humor.” –The New York…

S O S

by Amiri Baraka

The definitive selection of Amiri Baraka’s dynamic poetry—comprising more than five decades of groundbreaking, controversial work—with new, previously unpublished, and uncollected poems….

Goodbye Tsugumi

by Banana Yoshimoto

“Yoshimoto’s words are considered, and each of them has the weight of a small, perfectly round stone dropped into a still pool. . . . In Tsugumi the author has…

Frankie’s Place

by Jim Sterba

“[Frankie’s Place] is really the story of finding a place that fits, a home in the world. . . . It’s about loving the person you’re with. Happiness. Contentment. Peace….

The Hiding Place

by Trezza Azzopardi

“A harrowing and remarkable self-assured first novel [by an author of] copious and galvanic talents.” –Michiko Kakutani, The New York Times…

The Lion Sleeps Tonight

by Rian Malan

A long-awaited collection of essays and journalism from one of South Africa’s best-regarded and most influential commentators, which illuminates the darker and lighter sides of the country’s last twenty years….

Living in a Foreign Language

by Michael Tucker

“A satisfying look into the good life.” —Publishers Weekly…

My Life in Heavy Metal

by Steve Almond

“Almond’s eye for modern types is impeccably, almost academically, sharp, and yet these stories, slight as they sometimes are, never come across as schoolwork.” –Mark Rozzo, The Los Angeles Times…

Nein. A Manifesto

by Eric Jarosinski

A gleeful yet serious philosophical manifesto in aphorism by the creator of the hugely popular @NeinQuarterly Twitter feed, written in the same “crisp, allusive, irreverent” (New Yorker) voice….