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Kornwolf
by Tristan Egolf“The voice is unforgettable, at times attaining the incantatory power of Whitman’s ‘barbaric yawp.’” –New Yorker…
Kitchen
by Banana Yoshimoto“Ms. Yoshimoto’s writing is lucid, earnest and disarming, as emotionally observant as Jane Smiley’s, as fluently readable as Anne Tyler’s. . . . [It] seizes hold of the reader’s sympathy…
The Internet Is Not the Answer
by Andrew KeenA sharp indictment and incisive analysis of the detrimental effects of the Internet on our psychology, economy, and society.
The Industrial Revolutionaries
by Gavin Weightman“[An] engaging survey . . . Weightman expertly marshals his cast of characters across continents and centuries, forging a genuinely global history that brings the collaborative, if competitive, business of…
I Married You for Happiness
by Lily Tuck“One of the most beautiful love songs in novel form you’ll ever read . . . Tuck is a genius with moments . . . Her ability to capture beauty…
The Hole We’re In
by Gabrielle ZevinFrom the New York Times-bestselling author of Tomorrow, and Tomorrow, and Tomorrow, a bold, timeless novel about a troubled American family navigating an even more troubled America…
Had a Good Time
by Robert Olen Butler“All of these stories are told in the first person, but Butler rarely settles for impressing us with his range of vocal effects. He favors strong plots and strong twists….
Guide
by Dennis Cooper“The most seductively frightening, best written novel of contemporary urban life that anyone has attempted in a long time; it’s the funniest, too, and does for Clinton’s America what The…
The Grove Companion to Samuel Beckett
by C.J. Ackerley and Stanley Gontarski“Ackerley and Gontarski have amassed an amazing amount of information about Samuel Beckett and his works, which constitutes The Grove Companion. The volume will prove useful to everyone–from the neophyte…
Gould’s Book of Fish
by Richard Flanagan“What’s memorable–even extraordinary–about this book are Flanagan’s aphoristic talent, his imagination and his uncanny ability to channel the Rabelaisian voices of the great picaresque writers–Fielding, Sterne, Smollet. . . ….
