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Recognizing the Stranger

by Isabella Hammad

“Extraordinary and amazingly erudite. Hammad shows how art and especially literature can be much, much more revealing than political writing.”—Rashid Khalidi, New York Times bestselling author of The Hundred Years’…

I Cheerfully Refuse

by Leif Enger

A career defining tour-de-force from New York Times bestselling, award-winning and “formidably gifted” (Chicago Tribune) novelist Leif Enger….

Two-Step Devil

by Jamie Quatro

“Jamie Quatro is a writer of sinuous, muscular power and grace. Two-Step Devil is a starkly gorgeous story of God and loss and art and love, and her best book…

The Wrong Hands

by Mark Billingham

This is one case Detective Miller won’t want to open . . . The second rip-roaring mystery from multi-award-winning international bestseller Mark Billingham starring Detective Miller: unique, unconventional, and criminally…

Editors on Editing

by Gerald Gross

“A superb collection of essays–wise, original, and “educational” in the best sense of the word. Every publisher, editor, writer and agent should buy at least one copy and then a…

Terraplane

by Jack Womack

“Womack . . . performs feats of brilliance on many levels. . . . He succeeds in balancing blistering social commentary with shrewd literary experimentation. . . . Flecked with…

The Weight of Numbers

by Simon Ings

“[The Weight of Numbers] blends excellent prose with innumerable characters in an insanely complicated plot, with important global issues sprinkled in, and it all makes sense.” —Robert VerBruggen, The Washington…

Lost Nation

by Jeffrey Lent

“Lent is a skillful and confident storyteller, evoking the seasons, the dampness of the bogs and the muck and the madness that sometimes affects those living alone in the dark…

Gaddafi’s Harem

by Annick Cojean

…be praised for her unveiling of Gaddafi’s sexual atrocities, but, more importantly, she has drawn attention to the severe improvement needed concerning women’s rights in Libya.” —Libya for the Free

The Adventures of Lucky Pierre

by Robert Coover

“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…