“Inge has represented with astonishing veracity the oppressive banality of the lives of his characters: the events of their lives have the nerve-tightening regularity of a dripping faucet. His female characters especially are engulfed by the bathos of their lives, and Inge capitalizes on this fact in order to heighten dramatically the moment of personal crisis which comes to each of them. In his four major successes–Come Back, Little Sheba; Picnic; Bus Stop; and The Dark at the Top of the Stairs–the play carries the audience through the moment of crisis; and the final curtain falls upon a note of hope and fulfillment.” –R. Baird Shuman