Val McDermid is the award-winning, international bestselling author of more than thirty novels and has been hailed as Britain’s Queen of Crime. In Still Life, McDermid returns to her propulsive series featuring DCI Karen Pirie, who finds herself investigating the shadowy world of forgery, where things are never what they seem.

When a lobster fisherman discovers a dead body in Scotland’s Firth of Forth, Karen is called into investigate. She quickly discovers that the case will require untangling a complicated web—including a historic disappearance, art forgery, and secret identities—that seems to orbit around a painting copyist who can mimic anyone from Holbein to Hockney. Meanwhile, a traffic crash leads to the discovery of a skeleton in a suburban garage. Needless to say, Karen has her plate full. Meanwhile, the man responsible for the death of the love of her life is being released from prison, reopening old wounds just as she was getting back on her feet.

Tightly plotted and intensely gripping, Still Life is Val McDermid at her best, and new and longtime readers alike will delight in the latest addition to this superior series.

Praise for Val McDermid:

“McDermid remains unrivalled . . . brilliant.”—Observer (UK) on How the Dead Speak

“Further evidence that her ‘Queen of Crime’ status will not be challenged.”—Scotsman on How the Dead Speak

“There are few other crime writers in the same league as Val McDermid. Her stories are ingeniously plotted, moody . . . Absorbing . . . It’s Karen’s character that’s the enduring draw of this series . . . Out of Bounds is another terrific and intricate suspense novel by a writer who has given us 30 of them. As I said, there are few other crime writers in the same league as Val McDermid.”—Maureen Corrigan, Washington Post on Out of Bounds

“Chock-full of crime . . . fans and newcomers to the series will enjoy the twists and turns.”—Library Journal on How the Dead Speak

“McDermid’s books are relentlessly excellent, with sympathetically flawed characters, well-crafted storylines, a clever twist or two, and crisp dialogue. It’s no wonder she’s considered the queen of Scottish crime fiction.”—BookPage on Broken Ground