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Hawthorne in Concord
by Philip McFarland“McFarland’s book takes the prize for readability. His is an impressionistic account that could only result from sensitivity and empathy for its subject.” —David Locker, Evansville Courier & Press…
The CEO of the Sofa
by P. J. O'Rourke“Not content to rest on his laurels, the bestselling humorist O’Rourke instead settles back on his caustic couch to offer a wide-angled worldview from his own living room, his salon…
The Assault on Tony’s
by John O'Brien“O’Brien’s singular voice . . . [takes] us deep into an alcoholic’s world that few others have described so well.” —The New York Times Book Review…
Asleep
by Banana Yoshimoto“Ms. Yoshimoto’s writing is lucid, earnest and disarming, as emotionally observant as Jane Smiley’s, as fluently readable as Anne Tyler’s.” –The New York Times…
Valley of the Dolls
by Jacqueline Susann“Decades ahead of its time . . . Mesmerizing . . . The equation of emotional dependencies with drug addiction in one comprehensive personality disorder is, if anything, more chic…
The Grove Book of Hollywood
by Christopher Silvester“For anyone who enjoys the rich folklore, strange tribal rites, and tarnished idols of the celluloid jungles, the book is a feast.” –Entertainment Weekly…
House Secrets
by Mike Lawson“Excellent . . . The action builds to a stunning final twist.” —Publishers Weekly (starred review)…
Random Acts of Senseless Violence
by Jack Womack“Fascinating and well written . . . wonderfully inventive. . . . Mr. Womack’s New York has a constant punk-rocker violence, which unwinds with a deadpan humor.” –The New York…
What It Takes to Get to Vegas
by Yxta Maya Murray“In What It Takes to Get to Vegas the contrapuntal viewpoints–defiant and self-doubting, calculating and fuzzy-headed–are combined into a single stream of consciousness. Frenetic, bittersweet, and often hilarious, Rita’s voice…
A Primitive Heart
by David Rabe“As the characters play hide-and-seek with themselves, we’re forced to come out of hiding to shift our own positions and philosophy. Rabe has a way of implicating the reader–of creating…
