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The Impostor

by Damon Galgut

“Fast-paced and breathless . . . Canning is a memorable creation, a sort of African Gatsby, but without the glamour.” —William Skidelsky, The Observer…

Editors on Editing

by Gerald Gross

“A superb collection of essays–wise, original, and “educational” in the best sense of the word. Every publisher, editor, writer and agent should buy at least one copy and then a…

Grove at Home: December 6-12

…latest, A Cry from the Far Middle, is the perfect gift for your favorite free-thinker. Bringing his trademark (and occasionally cantankerous) wit to bear on the scandals and conundrums of…

The Wreck of the Medusa

by Jonathan Miles

“A fascinating look into the machinations of Restoration France revolving around the horrific wreck of an Africa-bound ship and the famed painting it inspired that stirred all of Europe. The…

East Along the Equator

by Helen Winternitz

“It is an excellent account of a dangerous and enlightening trip. We should be grateful to Ms. Winternitz for making this journey. She has brought us news out of Africa.”…

The Yellow House

by Sarah M. Broom

A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East.

LAbyrinth

by Randall Sullivan

“You don’t have to know anything about any of this to love this book.” —Carolyn See, The Washington Post…

The Beholder’s Eye

by Walt Harrington

“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…

Second Violin

by John Lawton

“Smart and gracefully written . . . It has been Lawton’s achievement to capture, in first-rate popular fiction, the courage and drama—and the widespread tomorrow-we-may-die exuberance—of that terrible and thrilling…

Surreal Lives

by Ruth Brandon

“Surrealism is now associated more with whimsy than with the lacerating and uncanny effects first sought by the French poets who first formulated its principles . . . [Surreal Lives…