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Young Mungo

by Douglas Stuart

A story of queer love and working-class families, Young Mungo is the brilliant second novel from the Booker Prize-winning author of Shuggie Bain…

Lost on Me

by Veronica Raimo

Longlisted for the International Booker Prize In this irreverent and hilariously inverted bildungsroman, award-winning and bestselling Italian author Veronica Raimo transforms neurosis, sex and family disaster into brilliant comedy reminiscent…

The Harpy

by Megan Hunter

Part revenge tale, part fairy tale, The Harpy is an electrifying story of marriage, infidelity, and power by the author of the #1 Indie Next Pick The End We Start…

Violencia!

by Bruce Jay Friedman

“[Friedman’s] writing is so funny – and deceptively effortless – critics often liken it to a stand-up comedy routine.”–The New York Times…

The Undertaking

by Audrey Magee

“A powerful creation . . . profoundly moving. Ms. Magee’s willingness to examine the darkest elements of the conflict in a novel that still asserts the redeeming power of love…

Turpentine

by Spring Warren

“With a pitch-perfect narrator and a smorgasbord of sensory detail, Spring Warren brings the Old West back to life. Turpentine casts the rebirth of a privileged young man finding self-truth…

Triptych and Iphigenia

by Edna O'Brien

“To the illustrious list of names: Yeats, Joyce, Behan, O’Casey, Beckett, add O’Brien. . . . [She] uses words the way a juggler employs shiny balls, tossing them up, letting…

This Boy’s Life

by Tobias Wolff

“Wolff writes in language that is lyrical without embellishment, defines his characters with exact strokes and perfectly pitched voices, [and] creates suspense around ordinary events, locating the deep mystery within…

Surreal Lives

by Ruth Brandon

“Surrealism is now associated more with whimsy than with the lacerating and uncanny effects first sought by the French poets who first formulated its principles . . . [Surreal Lives…

Shadow-Box

by Antonia Logue

“That three such wildly contrasting characters can coexist in the same novel is indicative of the era’s (and the author’s) bracing audacity. . . . Logue does an admirable job.”…