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Convenience Store Woman Captivates the New Yorker, NPR’s Fresh Air, the New York Times, and more
…this “smart and sly novel” (Publishers Weekly) has the reading world talking this summer. As The New Yorker‘s Katy Waldman writes: “The novel borrows from Gothic romance, in its pairing…
A Free Man of Color
by John Guare“[A Free Man of Color] . . . might be a masterpiece. . . . one of the three or four most stirring new plays I’ve seen.” —Terry Teachout, The…
Budapest
by Chico Buarque“In an age of borders, Chico Buarque’s masterpiece Budapest dissolves frontiers, creating an odd new world, where everything is being constantly reborn: words, writing, language, loss, and, above all, love….
Jasmine
by Bharati Mukherjee“A fable, a kind of impressionistic prose-poem, about being an exile, a refugee, a spiritual vagabond in the world today; Mukherjee has eloquently succeeded.” –The New York Times…
Into Tibet
by Thomas Laird“A scrupulously documented account of Cold War intrigue. . . . [Provides] a detailed view into the CIA’s shadowy world and the havoc it wreaks on individual lives. . ….
The English Major
by Jim Harrison“Harrison spins the common chaff of a road trip into gold. . . . peppered with his characteristic insights and asides. . . . After a long and idiosyncratic literary…
War Reporting for Cowards
by Chris Ayres…of life during wartime circa two years ago, and the honor and steadfastness of the men and women who have to endure them.” –Gary Shteyngart, New York Times Book Review…
Is There Still Sex in the City?
by Candace BushnellFrom the pioneering, New York Times bestselling author who brought us Sex and the City comes a wry, witty, and wise look at sex, dating and friendship in New York…
Also a Poet
by Ada CalhounA staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poet…
The Inheritance of Loss
by Kiran Desai“Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.” –The New Yorker…
