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War Law

by Michael Byers

“Should be read, and pondered, by those who are seriously concerned with the legacy we will leave to future generations.” —Noam Chomsky…

Deafening

by Frances Itani

“Moving and memorable. . . . Itani is an artist who understands what to include and what to leave out, when to whisper and when to shout. . . ….

Our Lady of the Flowers

by Jean Genet

“Elegiac elegance, alternately muted, languorous, vituperative, tender, glamorous, bitchy, lush, mockingly feminine, “high camp,” overripe, vigorous, rigorous, exalted. . . . A remarkable achievement.” –The New York Times Book Review…

The Pyrotechnic Insanitarium

by Mark Dery

“An exhilarating, dissonant ride . . . Dery, one of our most astute contemporary cultural critics . . . relishes his role as curator of America’s bulging cabinet of horrors….

The Bachelor Home Companion

by P. J. O'Rourke

In the inimitable style that has made him one of America’s most popular humorists, P. J. provides an essential guide to the practical business of living in the modern world…

Grove at Home: December 6-12

…no vaccine in sight: the rising use and abuse of opioids, none more common — or devastating — than fentanyl. In Fentanyl, Inc., journalist Ben Westhoff gives us the book…

T.H.U.G. L.I.F.E.

by Sanyika Shakur

“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…

Dead Men’s Praise

by Jacqueline Osherow

“Like Elizabeth Bishop, who wove her voice into a sestina so effortlessly you forget the form is there, Osherow makes villanelles, sonnets, and even Dante’s terza rima feel genuinely conversational.”…

Eugene Ionesco

Eugène Ionesco (1909-1994) was born in Slatnia, Romania, but lived in France for most of his life. An internationally renowned playwright and absurdist master, Ionesco profoundly altered the face of…

Seven Mile Beach

by Tom Gilling

“Unusual, fast, light, short, suspenseful, meaningful, and filled with an immigrant’s pointed observations about identity and the possibility of changing it. . . . [With an] appealing stench of paranoia…