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Into Tibet
by Thomas Laird“A scrupulously documented account of Cold War intrigue. . . . [Provides] a detailed view into the CIA’s shadowy world and the havoc it wreaks on individual lives. . ….
War Reporting for Cowards
by Chris Ayres…of life during wartime circa two years ago, and the honor and steadfastness of the men and women who have to endure them.” –Gary Shteyngart, New York Times Book Review…
Also a Poet
by Ada CalhounA staggering memoir from New York Times-bestselling author Ada Calhoun tracing her fraught relationship with her father and their shared obsession with a great poet…
The Perfect Summer
by Juliet Nicolson…sets a lively, theatrical pace and makes good use of recurring characters. . . . [There are] many glittering pieces in Nicolson’s book.” —Thomas Mallon, New York Times Book Review…
The Breaking of Nations
by Robert Cooper…to bridge the ideological divide between hard and soft power. Both, he suggests in this short, elegant collection of essays, are necessary in today’s messy world.” –The New York Times…
Jerzy Kosinski
…Sciences in Warsaw and Columbia University in New York. He wrote The Future Is Ours, Comrade (1960) and No Third Path (1962), both collections of essays he published under the…
Grove at Home: October 18—24
…For the Taking. You will not regret listening to Nick Tosches this morning. https://www.youtube.com/watch?v=71QCTPBamx8&list=PL8BFd4uGHN3nMBiMV6yjlsVOXwslypzMc Lunch with Nick Tosches in 1999 Also terrific is this 1999 Salon profile of Nick,…
The Cello Suites
by Eric Siblin…ideally read with Bach’s thirty-six movements playing softly in the background; a recipe for literary rapture.” —Simon Winchester, author of the New York Times best-seller The Professor and the Madman…
What It Is Like to Go to War, by Karl Marlantes
by Karl MarlantesFrom the author of the New York Times best seller Matterhorn, which has sold over 250,000 copies, What It Is Like to Go to War is a powerful nonfiction book…
Purge
by Sofi Oksanen…of all the miserable choices Estonians faced during their periods of oppression. . . . Oksanen has crafted a stirring and humane work of art.” —Jacob Silverman, The New Republic…
