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Far from Heaven, Safe, and Superstar

by Todd Haynes

“Writer-director Todd Haynes makes you drunk on movies again. Talk about movie heaven–this is it. No film this year cuts a straighter path to the heart.” –Pete Travers, Rolling Stone

The Fall of the Stone City

by Ismail Kadare

A rich short novel in Kadare’s unique style, The Fall of the Stone City is a tale of dictatorship, resistance, and magic, set in the most tumultuous period of Albania’s…

Closer

by Dennis Cooper

“Bleak and brilliant. There can be no doubt about the power and originality of Cooper’s writing. Sheer force of style raises Closer to the level of (at least) a minor…

Driving Like Crazy

by P. J. O'Rourke

“[A] treat of a book . . . As with almost all of O’Rourke’s work, it’s easy reading, and he’s just as good, if not better, at cracking wise about…

Cold Mountain

by Charles Frazier

“Charles Frazier has taken on a daunting task–and has done extraordinarily well by it… a Whitmanesque foray into America: into its hugeness, its freshness, its scope and its soul.” —James…

The Boyfriend

by Thomas Perry

“There are probably only half a dozen suspense writers now alive who can be depended upon to deliver high-voltage shocks, vivid, sympathetic characters, and compelling narratives each time they publish….

Death by Leisure

by Chris Ayres

“With dry British wit, [Ayres] skewers American greed, L.A. life, and his own endless romantic foibles . . . Somehow, Ayres knew the fall was coming and kept going anyway….

Deviant Behavior

by Mike Sager

“Mike Sager’s keen, journalistic eye and unique voice transfer to fiction with highly entertaining results. Deviant Behavior is a street-level, symphonic portrait of an American city.” —George Pelecanos, author of…

The Adventures of Lucky Pierre

by Robert Coover

“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…

Here They Come

by Yannick Murphy

“Murphy flawlessly captures a child’s-eye view of a battered society and a battered family . . . Most impressive of all is [her] remarkable use of language, the expressive way…