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Walk the Blue Fields

by Claire Keegan

…And to imagine critics, far in the future, deploying lofty new terms to explain what it is that makes Keegan’s fiction work.” —Maud Newton, The New York Times Book Review…

Small Craft Advisory

by Louis Rubin, Jr.

…is truly good company, and maybe to have a little wisdom rub off at the same time, Small Craft Advisory is a book to read.”–The New York Times Book Review…

Sightseeing

by Rattawut Lapcharoensap

…everywhere. . . . “Priscilla,” which describes gradations of poverty in the third world, is near-perfect in its lyricism, wistfulness and concision.” –Darin Strauss, The New York Times Book Review…

The Siege

by Helen Dunmore

…five people huddle in one freezing room and Dunmore describes what is happening to them in language that is elegantly, starkly beautiful.” –Janice P. Nimura, New York Times Book Review…

Prosperous Friends

by Christine Schutt

new novel . . . is Portrait of a Lady one hundred and thirty years on, except it’s all incisively new, and it’s Christine Schutt at her finest.” —Michelle Latiolais…

Paying Back Jack

by Christopher G. Moore

“Paying Back Jack might be Moore’s finest novel yet. A gripping tale of human trafficking, mercenaries, missing interrogation videos, international conspiracies, and revenge, all set against the lovely and sordid…

The Mammoth Cheese

by Sheri Holman

“Holman has fashioned a tale that is poignant and powerful and, like an award-winning cheese, surprisingly complex.” —Chris Bohjalian, The Washington Post Book World…

Goodnight, Nobody

by Michael Knight

…make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulsebeats of his characters.” –Jonathan Miles, The New York Times Book Review…

Anderson’s Ché Guevara

by Jon Lee Anderson

“Excellent . . . admirably honest [and] staggeringly researched . . . It is unlikely that after Anderson’s exhaustive contribution, much more will be learned about Guevara.” —Los Angeles Times…

The Holiday Season

by Michael Knight

…a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulse beats of his characters.” —Jonathan Miles, The New York Times Book Review…