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The Industrial Revolutionaries

by Gavin Weightman

“[An] engaging survey . . . Weightman expertly marshals his cast of characters across continents and centuries, forging a genuinely global history that brings the collaborative, if competitive, business of…

Ivory’s Ghosts

by John Frederick Walker

“[A] tour de force examination of the history of ivory, human kind’s lust for this exquisite treasure, and the demise of the elephant and human decency in the process ….

What Just Happened?

by Art Linson

“Art Linson puts a film freak exactly where he or she wants to be: in the Fox screening room during the studio brass’s horrified first look at Fight Club ….

She May Not Leave

by Fay Weldon

“One of England’s most superb novelists, could best be described as a 21st-century Thackery. . . . Weldon’s sharp wit and incisive skewering of the mores of the moment make…

a: A Novel

by Andy Warhol

“Hellish hymns from Amphetamine Heaven, the vox populi of the Velvet Underground . . . These people are witty and they are grand, they do terrible things and make awful…

The Pleasing Hour

by Lily King

“Splendid . . . Powerful . . . so assured that it’s hard to believe the book is [King’s] debut.” —Jacqueline Carey, The New York Times Book Review…

The Last Known Residence of Mickey Acuna

by Dagoberto Gilb

“His language is direct and strikingly honest, and yet he is also able to illuminate life’s transforming moments with a delicate appreciation of their power and evanescence.” –The Washington Post…

In the City of Shy Hunters

by Tom Spanbauer

Spanbauer has inserted his character, the Shy Hunter, into the mythology of the real Lower East Side of Manhattan. Surely many will want to follow his steps after reading In…

Havana World Series

by Jose Latour

“An entertaining and suspenseful story. . . . [Latour] has managed to capture the sights, sounds, smells and rhythms of Havana in a way that is as much nostalgic as…

Goodnight, Nobody

by Michael Knight

“Arresting. Stylistically, Knight slaloms through old-fashioned noir and snarky postmodernism, and from Barthelmean set pieces to a riff on Stonewall Jackson that evokes one of Barry Hannah’s Civil War fever…