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Gone

by Mo Hayder

A page-turning triumph from the internationally bestselling thriller author Mo Hayder—Gone is a riveting tale that pits detective Jack Caffery and police diver Flea Marley against a carjacker who is…

XPD

by Len Deighton

“A stunning spy story . . . incomparable.”—The Guardian A propulsive and wholly original novel constructed around a supposition that Churchill secretly met with Hitler in 1940 to discuss terms…

August Frost

by Monique Roffey

“A magical fable . . . Roffey handles this modern-day metamorphosis beautifully; her imagery is original, the story completely beguiling.” –Eithne Farry, The Daily Mail (London)…

Grove at Home: July 26—August 1

…cover. https://www.youtube.com/watch?time_continue=3&v=AYbYLL7lLbM&feature=emb_logo   Viet Thanh Nguyen and Pankaj Mishra on free speech Last week in the Guardian, the brilliant Viet Thanh Nguyen and the brilliant Mankaj Mishra sat down for

Rock Concert

by Marc Myers

A lively, entertaining, wide-ranging oral history of the golden age of the rock concert based on over ninety interviews with musicians, promoters, stagehands, and others who contributed to the huge…

Is There Still Sex in the City?

by Candace Bushnell

From the pioneering, New York Times bestselling author who brought us Sex and the City comes a wry, witty, and wise look at sex, dating and friendship in New York…

Broken for You

by Stephanie Kallos

A buoyant debut novel about two women in self-imposed exile whose worlds are transformed when their paths intersect, and a glorious homage to the beauty of broken things.

The Woman Lit by Fireflies

by Jim Harrison

“Harrison is unfailingly entertaining but he is much more—a haunting, gifted writer . . . a consummate storyteller—truly one of those writers whose books are hard to put down.” —Los…

Walking to Hollywood

by Will Self

“Self’s ultimate vision . . . is described in dazzling bursts of verbal pyrotechnics. . . . The language here is as rich as Vladimir Nabokov’s, the rage as deep…

Under Radar

by Michael Tolkin

“Ambitious . . . . Tolkin is taking on the shades of literature’s foremost anatomists of ambiguously motivated murder: Dostoyevsky in Crime and Punishment and Camus in The Stranger ….