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August Frost

by Monique Roffey

“A magical fable . . . Roffey handles this modern-day metamorphosis beautifully; her imagery is original, the story completely beguiling.” –Eithne Farry, The Daily Mail (London)…

House Reckoning

by Mike Lawson

When congressional fixer Joe DeMarco finds out the truth about his father’s murder, he must decide how far he will go for revenge….

XPD

by Len Deighton

“A stunning spy story . . . incomparable.”—The Guardian A propulsive and wholly original novel constructed around a supposition that Churchill secretly met with Hitler in 1940 to discuss terms…

Grove at Home: July 26—August 1

…cover. https://www.youtube.com/watch?time_continue=3&v=AYbYLL7lLbM&feature=emb_logo   Viet Thanh Nguyen and Pankaj Mishra on free speech Last week in the Guardian, the brilliant Viet Thanh Nguyen and the brilliant Mankaj Mishra sat down for…

The Guest Lecture

by Martin Riker

With “a voice as clear, sincere, and wry as any I’ve read in current American fiction” (Joshua Cohen), Martin Riker’s poignant and startlingly original novel asks how to foster a…

Rock Concert

by Marc Myers

A lively, entertaining, wide-ranging oral history of the golden age of the rock concert based on over ninety interviews with musicians, promoters, stagehands, and others who contributed to the huge…

Is There Still Sex in the City?

by Candace Bushnell

From the pioneering, New York Times bestselling author who brought us Sex and the City comes a wry, witty, and wise look at sex, dating and friendship in New York…

The Woman Lit by Fireflies

by Jim Harrison

“Harrison is unfailingly entertaining but he is much more—a haunting, gifted writer . . . a consummate storyteller—truly one of those writers whose books are hard to put down.” —Los…

What Are You Like?

by Anne Enright

“An eloquent writer . . . dazzlingly funny. . . . For Enright the recognizable dimensions of time, speech, and thought . . . are fluid and interchangeable, while metaphors…

Under Radar

by Michael Tolkin

“Ambitious . . . . Tolkin is taking on the shades of literature’s foremost anatomists of ambiguously motivated murder: Dostoyevsky in Crime and Punishment and Camus in The Stranger ….