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City of the Mind

by Penelope Lively

“Lively is a magical writer, and her sensuous prose tempers the metaphysical abstractions. . . . Her uncanny empathy and ability to evoke emotion make the reader feel more like…

The Circle of Hanh

by Bruce Weigl

“Weigl keeps his readers in cliff-hanging suspense. . . . So powerful is his writing that readers, too, will live among these words. They may not find salvation there, but…

Chasing Kangaroos

by Tim Flannery

“Australian scientist/conservationist/explorer Flannery (The Weather Makers, 2006, etc.) tells the remarkable story of underappreciated marsupials thriving Down Under. . . . Quite exhaustive, fired by boundless exuberance that leaps off…

The CEO of the Sofa

by P. J. O'Rourke

“Not content to rest on his laurels, the bestselling humorist O’Rourke instead settles back on his caustic couch to offer a wide-angled worldview from his own living room, his salon…

Deviant Behavior

by Mike Sager

“Mike Sager’s keen, journalistic eye and unique voice transfer to fiction with highly entertaining results. Deviant Behavior is a street-level, symphonic portrait of an American city.” —George Pelecanos, author of…

The Blacks

by Jean Genet

“Genet has strong claims to be considered the greatest living playwright. His plays constitute a body of work unmatched for poetic and theatrical power which reaches, in at least two…

The Best a Man Can Get

by John O'Farrell

“[A] bright, hilarious little novel . . . O’Farrell has a tart narrative voice and a delectably understated way with wisecracks. You could say that his style depends heavily on…

The Beastly Beatitudes of Balthazar B

by J.P. Donleavy

“Donleavy at his best, eloquent, roguish . . . at one with his world and the terrible sadness it contains.” —Newsweek…

The Beans of Egypt, Maine

by Carolyn Chute

“Chute’s novel pulses with kinetic energy. It seizes the reader on its opening page with a rhythm, a language, a knock-about country humor unmistakably its own.” —Newsweek…

Dancing Arabs

by Sayed Kashua

“Gritty and agile. . . . As a portrait of a young man’s drift into emotional no man’s land, [Dancing Arabs] has the feel of grim truth.” –The New York…