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The Hungry Gene

by Ellen Ruppel Shell

“Compelling. . . . Journalist Ellen Ruppel Shell takes us into the wide world of obesity, seeking answers to how we got here and how we can get back to…

How the Dead Live

by Will Self

“How the Dead Live overflows with rhetorical ecstasy–arabesques of assonance and alliteration, puns peppering every paragraph, chiasmus turning clause after clause back on themselves like a hall of mirrors, page…

House Rules

by Mike Lawson

“Lawson’s engaging characters, with DeMarco leading the pack, come across as seriously flawed individuals trying to navigate a political world of high demands and constant distractions. Full of insider information,…

The Holiday Season

by Michael Knight

“Michael Knight has the rare power to make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulse beats of his characters.”…

Hitting the Jackpot

by Brett D. Fromson

‘deftly documented. . . . [Fromson] knows something about digging into the roots of a good story. . . . [Hitting the Jackpot] is a story that leaves you shaking…

Heathern

by Jack Womack

“An exciting sci-fi stylist . . . Womack’s imaginative projection of our imminent fate is crippling.” –People…

H Is for Hawk

by Helen Macdonald

“Helen Macdonald’s beautiful and nearly feral book, H Is for Hawk, reminds us that excellent nature writing can lay bare some of the intimacies of the wild world as well….

Guitar

by Tim Brookes

“Brookes takes us on a riveting autobiographical odyssey through a charged, emotional world atremble with soulful yearnings, suspense and evolving American musical styles. . . . Makes you want to…

The Grove Book of Hollywood

by Christopher Silvester

“For anyone who enjoys the rich folklore, strange tribal rites, and tarnished idols of the celluloid jungles, the book is a feast.” –Entertainment Weekly…

Gould’s Book of Fish

by Richard Flanagan

“What’s memorable–even extraordinary–about this book are Flanagan’s aphoristic talent, his imagination and his uncanny ability to channel the Rabelaisian voices of the great picaresque writers–Fielding, Sterne, Smollet. . . ….