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Long Way to Go

by Jonathan Coleman

“Not since Gunnar Myrdal’s An American Dilemma has anyone laid bare America’s racial problems with such clarity, insight and drama. Coleman has written a classic.” –Morris Dees, Southern Poverty Law…

The Long Emergency

by James Howard Kunstler

“[A] popular blueprint for surviving the end of oil.” –Paul Greenberg, The New York Times Book Review…

The Beat Hotel

by Barry Miles

“An entertaining narrative about important writers now considered American literary heroes.” –Publishers Weekly…

The Industrial Revolutionaries

by Gavin Weightman

“[An] engaging survey . . . Weightman expertly marshals his cast of characters across continents and centuries, forging a genuinely global history that brings the collaborative, if competitive, business of…

Harlem

by Jonathan Gill

“[A] panoramic history . . . Gill blends high-density research, political and cultural sophistication, and narrative drive to produce an epic worthy of its fabled subject.” —Edward Kosner, The Wall…

Ghosts from the Nursery

by Robin Karr-Morse

“Karr-Morse and Wiley boldly raise some tough issues. . . . [They] start with a grim question—why are children violent?—and they forge a passionate and cogent argument for focusing our…

Disjecta

by Samuel Beckett

“[Beckett] is a serious writer with something serious to say about the human condition: and therefore one of the dozen or so writers those who are concerned with modern man…

Cereus Blooms at Night

by Shani Mootoo

“Shani Mootoo digs deep into the heart of classic storytelling, expanding, sculpting, and molding what is expected into a completely fresh approach to narrative. Her language and characters seduce us…

The Beholder’s Eye

by Walt Harrington

“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…

Archeology of the Circle

by Bruce Weigl

“Few poets of any generation have written so searingly into of the trauma of war, inscribing its wound while refusing the fragile suture of redemption. Here is the haunted utterance…