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Sicily ’43

by James Holland

A major new history of one of World War II’s most crucial campaigns—the first Allied attack on European soil—by the acclaimed author of Normandy ’44 and a rising star in…

Transient Desires

by Donna Leon

In the landmark thirtieth installment of the bestselling series the New Yorker has called “an unusually potent cocktail of atmosphere and event,” Guido Brunetti is forced to confront an unimaginable…

Girl, Woman, Other

by Bernardine Evaristo

From one of Britain’s most celebrated writers of color, a magnificent portrayal of the intersections of identity among an interconnected group of Black British women

Dreams of Bread and Fire

by Nancy Kricorian

“Kricorian does for young women what James Joyce did for middle-aged men: She allows us to scramble safely amid the debris of new love, rejection, sex and identity.” –Susan Salter…

The Western Wind

by Samantha Harvey

Hailed as “this generation’s Virginia Woolf” (Telegraph) and “one of the UK’s most exquisite stylists” (Guardian), Samantha Harvey’s breathtaking new novel is a medieval mystery told in reverse over the…

Sharp

by Michelle Dean

From celebrated literary critic Michelle Dean, a powerful portrait of ten women writers who managed to make their voices heard amid a culture of sexism

The Retreat of Western Liberalism

by Edward Luce

…expounds on the erosion of the West’s middle classes, the dysfunction among its political and economic elites, and the consequences for America and the world.” —Michiko Kakutani, New York Times…

Young Skins

by Colin Barrett

From a major new talent in international fiction, whom Colm Tóibín has hailed as “exciting and stylistically adventurous,” comes a propulsive, urgent portrait of dislocated Irish youth….

The Witch of Hebron

by James Howard Kunstler

The best-selling author of The Long Emergency returns with a gripping sequel to his novel World Made by Hand, which Alan Cheuse of National Public Radio called “brilliant.”…

Voltaire in Exile

by Ian Davidson

…a state. How this came about, and without any Tolstoyan repentance or self-remaking, is one of the great stories of literary evolution. Davidson tells it well.” –Adam Gopnik, New Yorker…