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The Journal Keeper

by Phyllis Theroux

“I loved this singularly honest and graceful book. The Journal Keeper reminds us that there is no such thing as an ordinary moment, and certainly no such thing as an…

The New Internationals

by David Wright Faladé

A stunning historical novel of post-war Paris that interweaves a coming-of-age story, a cross-cultural romance, and a portrait of the international youth at a definitive moment in contemporary history

David Shih

David Shih is a professor at the University of Wisconsin-Eau Claire. His writing on race has appeared in the New York Times, NPR’s Code Switch, Electric Literature, and Inside Higher…

Arafat’s War

by Efraim Karsh

…But in this eye-opening and exhaustively researched book, Karsh shows us that it is in a large part the product of a single man’s pathological will.” –The New York Post…

Old World, New World

by Kathleen Burk

“This stunning and important work is destined to become the benchmark study of this topic for many years to come.” —Publishers Weekly (starred review)…

Neutral Buoyancy

by Tim Ecott

“Ecott excels at quixotic explorations of corners of the dive world. . . . It should be awarded a place on any diver’s reference shelf for tasty tidbits of history…

The Postmoderns: The New American Poetry Revised

by Donald M. Allen

United by their “postmodernist” concerns with spontaneity, “instantism,” formal and syntactic flexibility, and the revelation of both the creator and the process through the writing itself, these 38 poets represent…

Party Time and The New World Order

by Harold Pinter

“Party Time‘s last loaded encounter is better than anything Pinter has written in years.” —The Times (London)…

New Japanese Voices

by Helen Mitsios

“A happy marriage of contemporary Western culture with the traditional Japanese sensibility makes this story collection by young Japanese writers a worthwhile successor to a distinguished literary past.” –Kirkus Reviews…

Amedee, The New Tenant, Victims of Duty

by Eugene Ionesco

“There is not a dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged…