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Woodcuts of Women

by Dagoberto Gilb

‘dagoberto Gilb is an important voice in American fiction. These stories of working class, low-rent lives illuminated by the small pleasures of sex and drink and food and sleep and…

Vida

by Patricia Engel

“Gloriously gifted and alarmingly intelligent, Patricia Engel writes with an almost fable-like intensity. . . . Here, friends, is the debut I have been waiting for.” —Junot Díaz, Pulitzer Prize-winning…

Not All Bastards Are from Vienna

by Andrea Molesini

Winner of the prestigious Campiello Prize, this international bestseller tells the riveting story of an Italian family whose courage is put to the test when their villa is requisitioned by…

Indian Journals

by Allen Ginsberg

“Ginsberg is both tragic and dynamic, a lyrical genius, a con man extraordinaire and probably the single greatest influence on American poetical voice since Whitman.” –Bob Dylan…

Craig Nova

From the Author, on Trombone: If I had to describe myself as a writer, I’d say that I get the biggest thrill out of setting up situations in which characters…

Rosencrantz & Guildenstern Are Dead

by Tom Stoppard

“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…

Lost Nation

by Jeffrey Lent

“Lent is a skillful and confident storyteller, evoking the seasons, the dampness of the bogs and the muck and the madness that sometimes affects those living alone in the dark…

Gaddafi’s Harem

by Annick Cojean

…be praised for her unveiling of Gaddafi’s sexual atrocities, but, more importantly, she has drawn attention to the severe improvement needed concerning women’s rights in Libya.” —Libya for the Free

The Adventures of Lucky Pierre

by Robert Coover

“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…

Nine Plays of the Modern Theatre

by Harold Clurman

“The nine plays included in this volume are not only modern by date, 1944-1975, but in their dramatization . . . . Though each may differ from the others in…