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Witches on the Road Tonight
by Sheri Holman“Holman is a master of the miniature. She uses tiny, achingly accurate details to bring each moment to life on the page; her sentences sing. . . . This richly…
An Untamed State
by Roxane Gay“Clear your schedule now! Once you start this book, you will not be able to put it down. An Untamed State is a novel of hope intermingled with fear ….
Trackers
by Deon MeyerFrom one of the world’s top thriller writers, this is a masterful story involving diamond smuggling, gang warfare, and international espionage amid the beautiful landscape and troubled history of South…
They’re Cows, We’re Pigs
by Carmen Boullosa“A word-drunk picaresque novel . . . Boullosa’s vivid and visceral descriptions provide hallucinatory images of the pirates’ raping and pillaging, their battles in the jungle and at sea.” –The…
The Siege
by Helen Dunmore“The best historical fiction delivers emotional truth through the lives of imaginary but ordinary people, making it possible to feel the texture of events that have been smoothed out by…
Rivers of Blood, Rivers of Gold
by Mark Cocker“Cocker has written a book on a broad subject, the kind that professional historians too rarely produce. . . . Rivers of Blood, Rivers of Gold is a heroic attempt…
A Quiet Life
by Kenzaburo Oe“[These] ordinary lives . . . are movingly illuminated . . . portraits drawn with affection, insight and that wry humor . . . that is one of the defining…
Paying Back Jack
by Christopher G. Moore“Paying Back Jack might be Moore’s finest novel yet. A gripping tale of human trafficking, mercenaries, missing interrogation videos, international conspiracies, and revenge, all set against the lovely and sordid…
Our Lady of the Flowers
by Jean Genet“Elegiac elegance, alternately muted, languorous, vituperative, tender, glamorous, bitchy, lush, mockingly feminine, “high camp,” overripe, vigorous, rigorous, exalted. . . . A remarkable achievement.” –The New York Times Book Review…
On a Wave
by Thad Ziolkowski“More than an account of a sport mastered. It’s a sharp, self-conscious portrait of the artist as a young grommet.” –The New Yorker…
