“A baker’s dozen characters are well sketched, and Fallan is wonderfully complex; a stone-cold killer who is also strangely principled. Brookmyre is building a case for gritty, violent Glasgow as the world capital of crime, and this is his best book yet.” —Booklist (starred review)
“Brookmyre . . . spares no detail in his account of Glasgow’s violent underworld . . . . His characters are satisfyingly multidimensional.” —Kirkus Reviews
“Christopher Brookmyre excels. From the titles of his novels to his ongoing instruction on the marked differences between Glasgow and Edinburgh, Brookmyre is a joy and a pleasure to read for those of us who like our fiction served up dark with humor to match. His latest stateside offering is Bred in the Bone, the third in the Jasmine Sharp and Catherine McLeod series and the best thus far. It takes a confident writer to race an immensely interesting character right out of the gate and then take him off the map within a few pages. . . . Brookmyre is a spellbinding storyteller who, by virtue of the wit and intricateness of his stories, has earned much greater attention on this side of the Atlantic than he has received thus far. Incapable of writing badly and possessed of an inability to make each and all of his characters unforgettable, Brookmyre is a marvel, and Bred in the Bone is nothing less than marvelous.” —Joe Hartlaub, Bookreporter
International praise for Bred in the Bone (Published in the UK as Flesh Wounds)
“Where the Bodies Are Buried, the first book to feature actress-cum-private eye Jasmine Sharp, was a thoroughly accomplished and satisfying thriller. His latest is even better. . . . Brookmyre is plainly keen to prove that he has become a genuine, page-turning storyteller. In Bred in the Bone he has done just that with what is his most complete novel to date.” —Daily Express (UK)
“His most mature novel to date: Each character, including those far down the food chain, is given a narrative arc that comes to a full and satisfying conclusion, even as the story reaches back in time to the 1980s . . . And if Brookmyre’s characters are good, the relationships he builds between them are even better.” —The Herald (Scotland)
“[Brookmyre’s] trademark pitch-black humor is still present. The wanton violence has consequences—usually devastating—and innocent bystanders bear the brunt of it. It is a well-paced thriller with a satisfyingly complex plot and a vivid cast of larger-than-life characters.” —The List