‘scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know.” –Tom LeClair, The New York Times Book Review
“Brilliant. . . . As when reading Virginia Woolf, you may have to put the book down because you can’t stand so much beauty.” –Dodie Bellamy, San Francisco Chronicle
“[Acker’s] nightmarish scenes jump, skip and vibrate with anger, violence and orgasmic propulsion as she parodies the carefully formed narratives of the past to give us her take on the present age of anxiety; [She] shrewdly offers compelling narrative hooks . . . then veers off into surrealism, absurdist dialogues, direct addresses to the reader, and lumps of literary history. . . . Acker is her own one-woman dynamo.” –Harry Eugene Baldwin, Frontiers
“America’s most beloved transgressive novelist.” –Spin
“[Acker] had a way with the mechanics of the unconscious, she was a cutup in more than one sense, and she was obsessed with the liberating possibilities of intellect and passion.
” –Cindy Widner, The Austin Chronicle
“Kathy Acker’s trancelike writing style peels away the layers of reality. . . . Acker is an expert at evoking this shadowy realm of belief and emotion where the rules of cause and effect do not necessarily apply.” –San Francisco Chronicle
“These selections have been chosen splendidly and give a great sense of what her writing in general and her individual works in particular are like–not an easy task with writing that can be described as oceanic and non-linear.” –Pawel Frelik, Science Fiction Studies
“Everyone who writes about sex owes [Acker] a debt of gratitude. . . . She tracks consciousness as it moves through the phantasmagoria of daydream and the reality of the body as a first place.” –Bookforum
“The definitive compendium of Acker’s sexed-up word-bombs. . . . Always entertaining. . . . Acker sought to push boundaries–in her writing, life and performance art–and somehow ended up producing some truly fun and enjoyable writing.” –Kirkus Reviews